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Why ‘Game of Thrones’ ended the way it did, Part II

Simply showing an audience that “war is hell,” while effective, is nothing new. George R. R. Martin meant to say something more.

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Jun 04 2020

The strange and sterile food art of the future

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Jun 03 2020

Craft and patience in ‘A Prayer for Travelers’

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Jun 03 2020

Filoli House and Garden: The Peninsula’s secret spot

Kamilah Arteaga

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Jun 03 2020

Movies to watch in quarantine: ‘Pan’s Labyrinth,’ ‘Rashomon,’ ‘There Will Be Blood’

Mark York and Nitish Vaidyanathan

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Jun 02 2020

‘Tick Tock: A Tale for Two’ (people who are separated because of COVID-19)

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May 31 2020

Reexploring digital art in quarantine

Kamilah Arteaga

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May 31 2020

Fiction: Ventura

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May 29 2020

Art in Quarantine: Picasso’s Portraits of Francoise Gilot

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May 29 2020

Video: Experimenting with Hilton DoubleTree’s chocolate chip cookie recipe

The Stanford Daily Arts & Life Staff

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May 29 2020

Poetry: Ode on an REI Backpack

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May 29 2020

Why ‘Game of Thrones’ ended the way it did, Part I

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May 28 2020

Movies to watch in quarantine: ‘Train to Busan,’ ‘The Endless,’ ‘The Social Network’

Mark York and Nitish Vaidyanathan

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May 27 2020

Poetry: ‘the return’

Angeline Ai-Nhi Truong

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May 27 2020

Flora and fauna of campus

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May 26 2020

Voices of Canceled Stanford Shows: 6 a cappella groups chime In during virtual spring quarter

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May 26 2020

Sundance 2020, Part 2: Sci-fi absurdity takes center stage with ‘Palm Springs,’ ‘Save Yourselves!’

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May 25 2020

Fiction: Plan B

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May 25 2020

The Off the Farm ‘Benefit Cabaret’: Finding permanence in a time (and art form) of transience

Justine Sombilon

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May 25 2020

‘Minor Details’ hiding in the desert sands

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May 23 2020

Coloring pages

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May 23 2020

Games to play in quarantine: ‘Dungeon Crawl Stone Soup’

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May 22 2020

Stephanie Shih’s food ceramics and Asian American nostalgia

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May 22 2020

Disappearances unexplained in ‘Colorless Tsukuru Tazaki and His Years of Pilgrimage’

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May 20 2020

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